A gallery is expecting some paintings for an exhibition, and although I have
finished the paintings on time, I still have to get them framed.
And framing decisions are petrifying. What colour frame? What width?
Mounts are next - double or single, thick or standard, self coloured core
(the card that runs through the middle of the mount board) or not? What colour
mount? Should I add a mount at all, or go for a slip instead - a thin, second
frame that the glass sits on.
And glass. What type of glass? Anti reflection which dulls the colours, or standard glass which reflects everything surrounding my painting. There is a new glass on the market now that is so clear that it's almost invisible, but it costs a fortune - should I risk using that?
Or should I just not frame the paintings at all and just mount them and wrap them, ready to sit in a browser, letting the buyer make all the decisions?
I'm going for a lie down now, my head hurts.
And framing decisions are petrifying. What colour frame? What width?
A mounted and wrapped digital painting of a tiger. |
And glass. What type of glass? Anti reflection which dulls the colours, or standard glass which reflects everything surrounding my painting. There is a new glass on the market now that is so clear that it's almost invisible, but it costs a fortune - should I risk using that?
Or should I just not frame the paintings at all and just mount them and wrap them, ready to sit in a browser, letting the buyer make all the decisions?
I'm going for a lie down now, my head hurts.
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