Showing posts with label oils. Show all posts
Showing posts with label oils. Show all posts

22 November 2011

Astronomy Has Landed - At Last

Weightless, oil on board
I've just finished a new painting.

I've been working on it for months.

I mentioned a good while back, in my post Inspiration, that I was going to be working on a series of paintings inspired by astronomy. Well, here's the first one. It turns out that I find working on something abstract very difficult. But I think I got there in the end.

I have used layers of paint to try and get the affects I wanted, letting them dry, scrapping them away with all kinds of tools (a screwdriver included), getting frustrated with the colours I was using and painting them out.

It's such a relief to finish this painting, and I am already really looking forward to working on the next one.

Hopefully, it won't be as painful and frustrating to produce!

25 January 2011

The Prince and Princess of Wales Hospice

On the 21st January the auction of paintings for The Prince and Princess of Wales Hospice went ahead. I had completely forgotten about it - you donate a painting (as mentioned in So Much To Do...), but don't go to the event; it wasn't going to be a social night out for me, so I didn't need to make an effort to remember.

I got a call from a gallery yesterday. The caller was excited because one of the organisers of the auction had been in and told her that my donated painting had sold, which is amazing. I've never tried to sell at any type of auction before, and someone actually decided to bid on one of my paintings. However, I have to admit, that the real thrill was in the number of paintings that actually sold at all. Just 25 out of 80.

I am sorry more didn't sell, but I am delighted that mine was one of the few. It gives me a wee boost and a spot of encouragement. This week has started well.

Image: Bluebells, oil on canvas 30 x 30cm (12 x 12"), sold at auction

14 January 2011

Vandalism and Other Irritations

It's not been the best start to the year. One of my paintings, hanging in an exhibition, has been vandalised. Somewhat upsetting as it is gratingly obvious.

Someone just decided to pick off some of the light coloured thick paint right in the middle of the canvas revealing a hole at the bottom of which is dark under paint. It was just such a pointless thing to do, and I find it distressing. What does it say about the painting, or my work, or me as an artist?

Meanwhile, I have been told that my paintings are morbid and have been asked if I could do something cheerier, like flower paintings. I was somewhat taken aback and rather upset (stoically tried not to show it) as I've never heard my landscapes and skyscapes described like that, certainly not to my face.

I find the criticism all the more confusing as the people doing the opining have my paintings in a corridor against dark wallpaper. The lighting is angled at the dark blue carpeted floor and not my paintings. I'm trying not to let it bother me, but I still find it unsettling even though the conditions aren't exactly of a gallery quality.

Here's one of the morbid ones; let me know what you think.

Image: New Year's Day, Troon, oil on canvas, 102 x 76cm (40 x 30")

12 December 2010

Rannoch Moor Sketching

Rannoch Moor is my favourite place in the world.

Quite a while back (as you may be able to tell from the painting - I like to think I have improved since then) I was sketching there on a particularly dull day. Kate Bush's The Kick Inside was my album of choice; and I make no apologies for the music I listen to when I work.
I had a large A2 sketchbook with me and my usual supplies, a jar of water, sable brushes ranging in size, watercolours, water soluble felt pen (black), pencils and my camera.

I did a few not so great drawings and watercolours, but the star of that day was the sky. It had been a nothing grey when the clouds thinned and suddenly more and more sunbeams broke through, highlighting everything they hit. Then the clouds, now outlined in silver light, split to show bright blue cloudless sky before closing up as if nothing had happened.

It happened too quickly for me to draw the moment, but I managed to get my camera out on time. Thank heavens for photography.

These photos lead to a number of paintings. It's amazing how a few seconds in nature can lead to inspiration that lasts years.

Above: Sunshine on Rannoch Moor (www.tracybutler.co.uk)