11 May 2011

Sunset At Morar 2

Next Stage - Sunset At Morar
The painting is coming along, I think.

I want to darken the land on the right, bring more definition into the sea. The clouds need more work, softening parts of them and introducing more whispy bits (technical term). The sunset behind the island needs more thought.

Tomorrow, I'll sit for a while and have a good look before I do anything, because not seeing the painting over night often helps me to work out my next steps.

10 May 2011

Sunset At Morar 1

First stage - Sunset at Morar
Well, I'm a much happier girl now. As I said in my last post, New Start, Old Painting, I started again, and it seems to be working. To me it does anyway.

I've used large oil paint brushes (to stop me going into too much detail), shifted the land down to the bottom third of the canvas and am going to allow the orange from the original painting to show through behind the island in the background.

More tomorrow.

9 May 2011

New Start, Old Painting

Cartwheels Until Sunset
You may remember the post I made about a new painting, A New Painting - Loch Garry 1. Well, it has been just sitting in my studio, unloved and unworked on because I simply can't get enthusiastic about it - at all.

So, I've put it away, cleaned up all my pastel pencils, gauche and mixed media bits and pieces, and I've got all my oils out again.

I'm going to rework the painting on the right as feel I have improved since I painted it - and I already have a frame for it.

I want to liven up the islands in the distance, stop the land in the foreground from looking as though it is just floating about, add more interest to the sea, soften the sky and change a lot of the colour.

Well, that's what I think for the moment.  I'll keep you up to date... 

28 April 2011

Time for a Catch Up

My page on ArtGallery.co.uk
There is no denying it, it's been a while. I have been painting, but all my efforts are now on the surface of eggs which have been duly rolled down the nearest hill.

One thing I have done that isn't small and egg shaped, is add my details to a website called artgallery.co.uk. I have my own page on it, and can sell my artwork in all it's forms through it. I decided to add just my mounted prints and one or two paintings, and rather handily, when I sell something, I get a text letting me know. I've had it set up for a week, and I've already sold.

Rather good. Can you tell I'm pleased?

Let me know what you think.

8 April 2011

Stained Glass Effect

Bluebell Sunburst, oil on canvas, 40 x 40cm (16 x 16")
Just a quickie.  I wanted to let you see one of the paintings I am exhibiting at Smithy Gallery from the 17th April. Arran Sunset, the painting depicted in my last post, Defeated (good grief how much more negative a title could I have written), has been sold.  Wayhay.

Bluebell Sunburst is a wee bit different for me as I haven't blended the colours in the canopy of trees, but I like the effect of the layers of paint one on top of the other and the way the branches of the trees look a bit like stained glass.

I painted this before my new mixed media paintings, and I can see how it's influenced certain aspects of them.

However, now that Spring has sprung, it's time for me to turn to subjects other than bluebells and snowdrops.  I'm off to the North East of Scotland tomorrow for inspiration and wide open skies.

6 April 2011

Defeated

Arran Sunset, oil on canvas, 60 x 80cm (24 x 31")
I have another private view coming up on the 17th April at Smithy Gallery (you are more than welcome to attend, 1pm to 5pm), and I promised the gallery owner that I would have a new painting, in mixed media ready for them for that event.

But I'm just not going to manage it, and I'm really annoyed with myself.

The new painting was the one I wrote a post about last week - A New Painting, Loch Garry 1 - but it just hasn't worked.  And I'm not going to be able to solve it's problems in time to get it framed.  I will still post about it, though, I just think it's too awful to show you at the moment.  Colours are garish, the sky is blotchy, clouds are nondescript, the loch is flat and uninteresting and the shades I used when preparing the background just aren't shining through - I think that's enough for now.  There is nothing more frustrating than working on a painting especially for someone, and not liking it.

I am feeling both defeated and deflated, but it won't last long.  I'll start working on the Loch Garry painting again (in a couple of weeks), and suddenly, out of nowhere, it'll start to work, and everything will be rosy, birds will be singing and I'll accept that I can still paint after all.

However, I do have some other paintings that I have not shown before, which in itself is quite exciting, so they will be hanging them for the first time on the 17th.  Wish me luck!

29 March 2011

A New Painting - Loch Garry 1

I've just started a new painting of Loch Garry.

I am working on especially cut MDF board because I already have a frame that I need it to fit. I painted the board with purple and gold acrylic paint, squeezing the colours directly onto the board and mixing them as I messed about with my brush.

When it was dry, I sanded down the surface to give my pastels something to grip onto and then sketched on the outline of the landscape using a pastel pencil.

I'll be working on it all tomorrow.

23 March 2011

Construction Page

I thought I'd let you know that I have got a tiny, wee, itsby bitsy bit of web presence back - I decided to put a temporary page up until my new site is ready.

What do you think?

I have a smile back on my face now, and am looking forward to its replacement.

22 March 2011

Malware On My Website!

I am currently between website design companies, leaving my old one for pastures new.  My website, however, will not be moving servers until at least May.

Two days ago, I discovered that my website, when opened showed this image on the right instead of my home page.  I contacted my new designers to see if they would be able to deal with it, but because it is still on my old designer's server, they pointed out that it is his problem.

I therefore contacted my old designer who basically didn't want to know because I am leaving him (I now realise that is was a wise move).  I am furious, because I now have an online presence that looks as though it will eat your PC for lunch.

I took the decision to take my site down, and for the first time in 10 years I have no website.  It's left me feeling very exposed in an odd kind of way.

All the work I have done splashing my web address all over the place, in craft fairs, in country clubs, in my blog, is fairly useless just now, and I'm a bit miffed to put it lightly.

15 March 2011

Merchandising My Work

Out to Sea signed greetings card
The decision to sell more than just my paintings was the right thing for me to do.

I had been exhibiting at an art festival, where I was standing selling my own work, and realised if people didn't want, or couldn't afford, to buy a painting, even if they liked my work, they were leaving empty handed.  Being present at the sale of my work, I also realised that as well as those willing to pay for an original, my paintings appealed to those who preferred to pay for prints.

I spent the following year resourcing companies that printed photos of my work, companies that sold blank greetings cards, and the necessary paraphernalia, and companies who cut mounts to my specified size.



I then went armed to the arts festival with original paintings, greetings cards and mounted A5 prints.  It was the right move, and I ended up financially doing considerably better than the year before.

Now I have lots of different products and have to constantly come up with new ways of selling them, but that's for another post.