14 May 2015

Tracy Butler Art available at Etsy

I decided to take the plunge, and now I have an Etsy shop.



So, pop along for a visit at Tracy Butler Art. At the moment, all my greetings cards are available, and I am currently working on uploading mounted prints and some originals. I'll keep you up to date as I add more.

Thanks for stopping by.

30 January 2015

Goings On And Doings

I've got a few things up my sleeve just now, which is quite exciting - a new approach to work being the main one, and if it works, well, fingers crossed. I'll let you know how it's going if things are looking good, no, time for a positive attitude, when things look good, so watch this space. I am excited about it though.

In the meantime, I have a few paintings in exhibition at Smithy Gallery's The Affordable Art Show. If you want to check it out, you can find the details here.

This is one of the paintings...

Fallow Fields, oil on canvas, 30 x 30 cm

14 January 2015

Framing. Sheesh.

A gallery is expecting some paintings for an exhibition, and although I have finished the paintings on time, I still have to get them framed.

And framing decisions are petrifying. What colour frame? What width?

A mounted and wrapped digital painting of a tiger.
Mounts are next - double or single, thick or standard, self coloured core (the card that runs through the middle of the mount board) or not? What colour mount? Should I add a mount at all, or go for a slip instead - a thin, second frame that the glass sits on.

And glass. What type of glass? Anti reflection which dulls the colours, or standard glass which reflects everything surrounding my painting. There is a new glass on the market now that is so clear that it's almost invisible, but it costs a fortune - should I risk using that?

Or should I just not frame the paintings at all and just mount them and wrap them, ready to sit in a browser, letting the buyer make all the decisions?

I'm going for a lie down now, my head hurts.

17 December 2014

3 December 2014

Exhibitions

I am exhibiting in two group shows just now. Given that I haven't exhibited for 3 years (if you want to know why - or can't remember, have a look at this embittered post), to have 2 exhibitions on the go at the same time is both a great thing and very unnerving.

If you are in the Glasgow area, go and have a look. The first exhibition is at Smithy Gallery and the second is at the Eastwood Park Gallery.



Smithy Gallery

 You are welcome to come along and have a look.

19 November 2014

Sketching

One of the pages from my sketchbook.
I've been spending my days at Edinburgh Zoo, and it's been brilliant.

When I look at the map, I realise just how little of it I have explored so far. With each visit, I find I tend to concentrate on just a few animals in the same area - last time, it was the rhinos, pandas and penguins. I drew, sketched and scribbled, taking photos in between. I watched the pandas prowl (on the rare occasion they weren't asleep), the penguins dive and swim, the rhinos heat themselves in the sun.

I feel energised and more enthusiastic about my work than I have in years.

I love going to the zoo!


5 November 2014

Rhino, Fading Into Black

Every time I finish a painting, I stand back and realise that I have to name my work. I always find it a struggle, but this time I got there with ease. I have spent weeks studying this rhino, and all I can think about is how close he is to extinction - fading away as time goes on, and into black shadows when there are none left.

Rhino, Fading Into Black, chalk pastel on board, 59 x 42.5 cm (23 x 16.5 ")

22 October 2014

Hunter

I have finished a new painting. It's chalk pastel on board, and considering it's my first one for 3 years, I think it's a good start.


He's called Hunter. Your opinion would be appreciated.

8 October 2014

Permission

I have started to paint wildlife again, and feel that I am home.

However, I do have one major obstacle - access to the wildlife in the first place. Seeing them in their natural environment would be one way to do it, of course, but heading off on safari whenever I need inspiration can be more than a wee bit pricey. Zoos are also an option  - Edinburgh Zoo isn't too far, nor are the Highland Wildlife Park and Blair Drummond Safari Park.

Edinburgh Zoo Website

These are always a worth while visit where I can get good sketching done and the occasional decent photograph, but I find them limiting for a multitude of reasons, not least the emotional wrench I feel at seeing caged animals, no matter how well looked after.

This is where I turn to the internet. I trawl through thousands of stunning photographs, professionally taken, of gorilla after elephant after tamarin monkey after giraffe with sun drenched vistas or dripping jungles in the background. All of them incredibly inspiring, but all of them copyrighted and belonging to the photographer; so I turn detective and track down the owner.

Asking permission is always high on my list. I feel no guilt about painting from photographs as I can't always come face to face with the animal I wish to capture, but I feel very uncomfortable using someone else's work to produce my own without their knowledge. Sometimes they say no, sometimes they don't reply...

...And when I get a yes, I get to work.